Our All-Female Trio Bringing Shrek to the Stage

They’re the trio tasked with bringing the fairytale world of Shrek to the stage. And it’s a relief for Sally Manning, Jules Dance and Luannsa Goodman to finally see the fabulous family musical take shape.

Director and Co-choreographer, Sally Manning

“Shrek was originally planned for November 2020, but the pandemic put paid to that,” explains director and co-choreographer Sally. “So it’s been taking up a lot of space in my head for a long time! But as rehearsals have progressed, all those thoughts and ideas have been transferred to the cast, so I’m enjoying it a lot more now as my head feels a lot lighter!”

Based on the hugely popular animated film, Shrek is the tale of a green ogre who finds himself on a life-changing journey alongside wisecracking Donkey, feisty Princess Fiona and evil Lord Farquaad – to discover that fairy tales aren’t always what they seem.

Choreographer, Luannsa Goodman

“The most important thing for us is to make the show pure magic,” says choreographer Luannsa. “My generation grew up loving the film, and I’ve watched the Broadway production on YouTube about 1000 times! But I’ve put my own spin on the dancing. It’s full of character, farcical, funny and slapstick, as well as technically challenging. We’re now drilling the little details and the cast are doing brilliantly.”

Musical director Jules agrees. “This is an exceptionally strong cast and I’m thrilled about that! We’ve got a live band for this show too. The music is fantastic and very clever, with nods to other shows which musical theatre fans will love.”

Children especially will enjoy seeing familiar characters pop up like Pinocchio, Peter Pan, the Gingerbread Man and the Three Little Pigs. But with a twist.

Musical Director, Jules Dance

“Shrek is very much NOT a pantomime,” says Sally. “It’s a story of acceptance. It’s told in a fun, humorous way, but definitely has a deeper meaning. All our lead actors understand that – and they’re phenomenal, they’re absolutely smashing it!””

“There are belly laughs and great physical comedy,” says Jules, “But there’s also passion and pathos. The show tugs at your soul!”

Sally, Luannsa and Jules are clearly delighted with how the cast and crew have responded to the challenge of fulfilling their vision for Shrek the Musical.

“There are lots of surprises in store for the audience,” teases Sally. “And we can’t wait for you to see it!”

Shrek the Musical runs from 10 - 19 November at the Haymarket. Buy tickets online.

Meet Shrek and Lord Farquaad - Aka Reece Fitzgerald and Ben Kennedy

Newsflash! The farting green ogre who lives in a swamp in the Land of Duloc is actually a primary school teacher from Surrey! But then, as Shrek the Musical shows us, “Fairytales aren’t always what they seem.”

Reece Fitzgerald

And challenging expectations is something Reece Fitzgerald absolutely loves about playing the unlikely hero of BATS’ latest show, based on the hugely popular animated film.

“Shrek shows us that being you - being unique - is OK and can be celebrated, rather than always conforming to society’s expectations” says Reece.

“Lots of children I teach have got tickets to come and see Shrek. Hopefully it will inspire them. If their teacher can go off and do something completely different, they can too!”

“Knowing what their teacher does in his spare time also means I’m spared an awkward explanation, if I neglect to remove any green makeup before coming to class the next morning!”

Ben Kennedy

Shrek’s arch rival is the thoroughly evil Lord Farquaad, played by software engineer Ben Kennedy, for whom the role marks a radical departure from the string of pantomime dames he’s played recently in the Alton area.

“I’ve always wanted to be a baddie!” says Ben. “I think Farquaad has been festering underneath my personality for a long time! If I get booed by the audience at the end of the show that would be wonderful!”

Farquaad’s physical shortcomings provide much of the comedy - but it’s no laughing matter for Ben’s knees!

“I spend the whole show on them! Fortunately I had a vast array of knee pads in my garage from when I did extreme sports as a teenager. During rehearsals I’ve been wearing them out, pair by pair! It’s taking a lot of endurance!”

Both Reece and Ben are newcomers to BATS, something Reece found “nerve racking but exciting.” It was the chance to perform in Shrek that enticed them.

“It’s a show that captured my heart years ago,” says Reece. “I love the music and I saw the most recent tour of the show twice.”

“It’s a musical that’s works on different levels,” adds Ben. “The kids will love all the jokes and fairy tale characters. There’s adult humour too. Plus it gets pretty deep in places. But above all it’s a great feelgood family show!”

You can see Reece and Ben in Shrek the Musical from 10 - 19 November at the Haymarket. Buy tickets online.

The Bonds perform together for the first time in over 20 years

“So there I am in rehearsal doing my best sexy moves to the song Lady In the Long Black Dress - and Lynne doesn’t even notice. She’s at the back of the room taking payments for BATS T-shirts!”

It’s an anecdote that perfectly sums up Richard and Lynne Bond’s relationship with Basingstoke Amateur Theatrical Society - and possibly with each other (at least in public!)

While Richard’s known for playing loveable characters like Scarecrow in The Wizard of Oz, Bob in Priscilla Queen of the Desert and Bill in Me and My Girl, Lynne has been more active behind the scenes in recent years, serving on the committee and organising social events.

Incredibly, Sister Act is the first time the Bonds have appeared in a show together for over 20 years!

“It’s very nostalgic” says Lynne. “It’s nice to be able to travel to rehearsal together - then chat about our evening in the car on the way home! But in fact we don’t really appear on stage at the same time at all! I’m playing one of the nuns, and Richard is one of the gangsters!”

Richard and Lynne met through BATS, and first appeared together in 42nd Street in 1995, when Lynne played Anytime Annie. She’s also played lead roles including Sally in 1997’s Me and My Girl.

Lynne and Richard Bond

“Then the last show we did together was a BATS cabaret in 2000, just after our eldest son Jack was born,” says Lynne. “I found it too much with working full-time as well, so I decided to stop. We then had our son Josh, and the years just go by don’t they?”

When their sons were older, Lynne was tempted back to BATS - funnily enough for their 2015 production of Sister Act - and loved being back on stage. She’s donning the habit again for the 2022 version.

Will the boys be watching mum and dad proudly from the audience?

“Oh yes they’re SO proud of us” jokes Richard. “Josh works for Anvil Arts now, so he’ll probably get to see the show at least once. Jack is coming back to see it too.”

Given some of the roles Richard has played, surely they’re beyond embarrassment now?

“They did come and see me in The Full Monty, so yes!”

So Mr and Mrs Bond, we’re expecting you to appear in many more shows together?

“No! This is my last show, absolutely!” declares Lynne. “Never say never,” says Richard. Watch this space…

You can see Lynne and Richard in six performances of Sister Act, which run from 17 - 21 May at the Haymarket, Basingstoke. Buy tickets online.

Sally’s getting back in the habit to reprise her award-winning role

When Sally Manning played the Mother Superior in our 2015 production of Sister Act, her performance saw her named Best Actress in a Musical at the Daily Echo Curtain Call Awards. Seven years on, she’s thrilled to be reprising the role.

“It was my first lead part and quite scary at the time,” remembers Sally. “But I think I’ve evolved as a person since then, and now understand better who the Mother Superior is. I think my voice has matured as well. But in rehearsals it’s strange how things are coming back to me from before!”

Sally Manning

Much of the fun of Sister Act involves the sparky relationship between the Mother Superior and the sassy nightclub singer Deloris Van Cartier, forced to hide in the convent after witnessing a murder. Deloris is played by Kirsty Kingham. Sally says acting with Kirsty is quite an experience.

“Kirsty and I have been really close friends for many years now but we’ve never performed together! Now we’re performing the leads in my favourite show which is very special to me. Because it’s Kirsty, it’s REALLY hard to stay focused and not to allow myself to burst with laughter - and equally not to get emotional!”

Since 2015 Sally has played several lead roles for BATS as well as directing her first show at the Haymarket, Avenue Q for BATS Next Gen. Later this year, she’ll be directing BATS’ next show, Shrek – The Musical.

Sally as Mother Superior in our 2015 production

“Originally we were due to perform Shrek in 2019 but Covid hit. So I’ve had a lot of preparation time! I love character work, and I’m really looking forward to bringing all those fairytale creatures to the stage. It’s going to be a lot of fun!”

Before that though, Sally’s attention is firmly focused on Sister Act – as well as her day job as a job coach at Farnborough College.

“I help teenagers with additional learning needs to find work,” she explains. “I absolutely love being able to help make a difference in their lives.”

“And for me the most important thing about BATS is, you’ve got to have fun! It’s a hobby and people are taking time out of their busy lives to put on a show.”

“I can’t wait to get back on stage at the Haymarket with a great group of friends and bring you the best show we can!”

Six performances of Sister Act run from 17 - 21 May at the Haymarket, Basingstoke. Buy tickets online.

New director Louise will take you on a sparkly sleigh ride!

"I said 'Come on this sleigh ride with me!' - and whatever I've thrown at them, they've totally embraced it and gone along with it!"

Louise Travis is paying tribute to the cast and crew of Elf the Musical, which is she is directing and choreographing for BATS at the Haymarket in November.

"We lost a few weeks at the start because covid restrictions were still in place," she explains. "But when we could get together, we became a tight team very quickly. Everyone was so excited to get out of their homes and into a rehearsal space and be with people again, singing and performing. Every change I make, every time I suddenly announce there's a tap dance in this scene, they don't question it, they just get on with it!"

Elf is the first show Louise has directed for BATS and she brings a wealth of experience to the role.

Louise Travis

"I was very lucky to start assisting a director at the age of 15, at the Crucible Youth Theatre in Sheffield. They could probably see how bossy I was! I had some incredible directors to work alongside and look up to. I then directed my first professional show at the age of 19."

That launched Louise's career in the entertainment industry which has taken her around the world. Among the highlights are performing Off-Broadway, modelling in Hong Kong, and touring the UK in the show Stepping Out. "It was an exciting life! I've juggled lots of different jobs and mixed in a lot of directing and choreographing too."

After taking a break for family reasons, Louise had been looking forward to performing again - she was due to play Velma Kelly in BATS' production of Chicago last year, which sadly had to be cancelled because of the pandemic.

But after that 18 month hiatus, she's loving being at the helm for Elf, which she believes is the perfect musical to show BATS are back with a bang.

It's the story of a young orphan, Buddy, who mistakenly crawls into Santa's bag of gifts and is transported to the North Pole. The would-be elf is raised unaware he's actually a human, until his enormous size and poor toy-making abilities make it obvious. He then travels to New York to try to find his birth family - and sprinkle some festive magic on the city via some spectacular song and dance numbers.

"It's such a beautiful and happy story," says Louise. "If you love Christmas and sparkle, and you like to put up your Christmas tree as early as Hallowe'en, then you need to come and see it! And if you don't, you still need to come and see it so we can change your mind!"

"We defy you not to be smiling at the end."

Elf - The Musical runs at the Haymarket from 9-13 November. Buy tickets online.